3. From the Grip Room – Page 3

SYNC is pleased to announce the new Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR Lens in stock and available for rental!

Posted on October 26, 2015 by Dylan Gordon Posted in 3. From the Grip Room, 5. SYNC Promotions

In addition to the D800 and the Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II which we have in stock, the brand new AF-S NIKKOR 24-70mm f/2.8E ED VR is here touting an F Mount Lens/FX Format, f/2.8 to 22 Aperture Range, ASP/ED, AS, ED, and HRI Elements, Nano Crystal & Super Integrated Coating, Fluorine Coated Front and Rear Elements, Silent Wave Motor AF System Vibration Reduction Image Stabilization, Internal Focus, Manual Focus Override, Electromagnetic Diaphragm Mechanism, and Rounded 9-Blade Diaphragm.

Rent it from us for $50 per day!

Profoto D1 Air 1000 NOW AVAILABLE!

Posted on September 9, 2015 by Dylan Gordon Posted in 3. From the Grip Room

Superior performance in a compact package.

Boasting a generous 7 f-stop power range, action-stopping short flash durations, and color stability comparable with that of many high-end studio generators, the D1 proves that superior performance can be delivered in a compact package.
Compatible with the vast majority of Light Shaping Tools.
Compact and lightweight.
Built-in reflector makes the D1 very safe and easy to use.
Wide 7 f-stop power range in 0.1 f-stop steps
Short flash duration even on the high power settings
Fast recycling times
Available with Air – the world’s fastest system for remote radio sync and control.
Designed to withstand years of everyday use.

Also, Our ever-expanding Profoto inventory is now bigger and better than ever!
Pro-8a 2400
ProHead Plus
Zoom Reflector
Grid Kit
TeleZoom Reflector
NarrowBeam Reflector
Pro Fresnel Spot w/ barndoor
Air Remote
Softbox RFi 5′ Octa with grid
Softbox RFi 4’ Octa with grid
Softbox RFi 3’ Octa with grid
Softbox RFi 1×6

Canon 5DS R is in stock and available for rent!!

Posted on July 8, 2015 by Dylan Gordon Posted in 3. From the Grip Room

New at SYNC! The formidable Canon 5DS R is in-house and available for rent!!!! $200 per day. Touting full frame 50.6 megapixels, USB 3 5gbps tethering, 1080 30p Video, removal of low pass filter, 61 point autofocus, makes this one of our favorite cameras to date!

#Canon #5DS R #Photoshoot #Megapixels #‎SYNCphotorental‬ ‪#‎SYNCalicious‬
#‎Photo‬ ‪#‎Rentals‬ ‪#‎Sprinter‬ #Equipment

New at SYNC! Profoto 3×3 RFI Softbox + Elinchrom Rotalux Midi 53

Posted on May 14, 2015 by Dylan Gordon Posted in 3. From the Grip Room

SYNC is excited to have the Profoto 3×3 RFI softbox in stock with many more Profoto softboxes on the way! Also new in stock is the beautiful Elinchrom 53″ Rotalux Midi.

RFi stands for Recessed Front – Improved, which refers to the recessed diffusers in the front of each softbox for better light control, as well to the improved, deeper shape that directs more light to the front rather than the sides. For better control, the RFi modifiers also have double-layered diffusers and a highly reflective silver interior. The RFi softboxes come in all sizes and shapes. There are four shapes for the softbox modifier – rectangular, square, octa, and strip – in a total of 12 sizes.

General Specifications
Output at 2m with 2400Ws @ ISO 100: f-stop 32 8/10 both diffusers
Heads: Profoto flash heads and monolights (speedring not included)
Measurements
Weight: 1,9 kg 4.2 lb
Size: 90 x 90 x 56 cm

Midi Octa Light Bank

The 53″ bridges the gap between the 74″ Octa Light Bank and 39″ Rotalux Mini Octa. The Junior Octa features a rotating speed ring mount for exact angle positioning, spring loaded self-locking struts for fast, easy set-up, and durable snap fasteners to quickly attach the inner diffuser. Use this size for a full-length portrait, or a 3/4-length group portrait of 2 – 3 people.

Double diffusion design.
Folds like an umbrella.
Rotating locking knob.

Size 53″ (135 cm)
Shape Octagon
Removable Face
Removable Baffle
Package Weight 5.4 lb
Box Dimensions (LxWxH) 31.8 x 9.1 x 3.0″

Profoto Pro-B4 1000 Air NOW AVAILABLE!

Posted on March 25, 2015 by T.J. Crume Posted in 3. From the Grip Room

Profoto has announced the new Pro-B4 battery pack with flash durations down to 1/25,000 sec, fast recycling (30 flashes per second) and an 11-stop range. The B4 can also be plugged in and used as a studio generator.

The Pro-B4 is by far the fastest battery flash on the market. But there is more to it. A closer look at Pro-B4 reveals the following:

1. Extremely short flash durations

With flash durations down to 1/25,000s, the Pro-B4 offers the shortest flash durations of any generator on the market. It is now possible to freeze motion in a way that yesterday’s photographers could only dream of.

2. Exceptionally fast recycling

The Pro-B4 is the fastest recycling battery generator on the market. At lower power settings it is able to fire up to 30 flashes per second, while the longest wait on full power is less than a second. In other words: you will never have to wait for the Pro-B4. Now how fast you can shoot depends only on your camera.

3. Outstanding reliability

The solid-cast aluminium chassis and the sturdy rubber frame ensure that the Pro-B4 can take a beating. All connection are covered with protective lids, helping to prevent moisture and dust from entering the generator.

4. Powerful inside and outside the studio

On-location, its performance rivals that of any mains-powered studio generator. In the studio it gets even better. The battery can fully recharge in less than 45 minutes and can be recharged while in use! This means that if the modelling light is used moderately, the pack can be used continuously.

5. Extraordinary power range and superb precision

The Pro-B4 offers a huge 11 f-stop power range with unrivaled stability in power output and color temperature. It has two independent outlets with individual and intuitive controls and displays.

6. Integrated Air radio sync and remote

The unique Air system is the fastest radio sync system in the world. Control the Pro-B4 from your camera, your computer or from the palm of your hand.

Check out the comparison chart below to see how the B-4 stacks up to the B-3 and 7-B:

New at SYNC: Profoto B1 500 AirTTL

Posted on July 31, 2014 by T.J. Crume Posted in 3. From the Grip Room

Profoto B1

SYNC is proud to carry the Profoto B1 500 AirTTL, a sleek and savvy monolight, that is quickly becoming the go-to light for photographers with a professional edge. Without the need for cables or cords, the B1 is easily transportable and can be mounted to a variety of surfaces. The B1’s ability to process TTL creates an ease and comfort for setting up the shot, which translates into quicker set ups, quicker strikes, and quicker productions. Contact SYNC to reserve B1’s for your shoot today.

Patent pending AirTTL technology takes the concept of “point and shoot” to the next level.
Exchangeable, integrated battery provides up to 220 full-power flashes per charge.
Cordless design and wireless Air technology allows you to shoot without cords and restraints.
Quick burst capability eliminates the risk of missing that perfect shot waiting for the flash.
500Ws adjustable in 1/10 f-stop increments over a 9 f-stop power range give you precise control.
Compatible with a wide range of Profoto Light Shaping Tools.

SPECIFICATIONS
Max energy: 500Ws
Energy range: 9 f-stops (2-500Ws)
Energy control increments: 1/10 or full f-stops
Recycling time: 0.1-1.9 (Quick burst up to 20 flashes/second)
Max modeling light (W): 20W LED (Output equivalent to 70W Halogen)
Modeling light control: Off, Proportional, Free (5-100%)
Mode control: Freeze (shortest flash duration) or Normal (color balanced) mode
Flash duration Normal mode (t0.5): 1/11,000s (2Ws) – 1/1,000 (500Ws)
Flash duration Freeze mode (t0.5): 1/19,000s (2Ws) – 1/1,000 (500Ws)
Energy stability Normal mode: +-1/20 f-stop flash to flash
Energy stability Freeze mode: +-1/20 f-stop flash to flash
Color stability Normal mode: +-150K over range; +-20K flash to flash
Color stability Freeze mode: +-800K over range; +-50K flash to flash
Guide number @ 2m, 100 ISO with Magnum Reflector: 45 2/10
Input power supply: Exchangable Lithium-Ion-Battery 14.4V/3Ah
Battery capacity: Up to 220 full power flashes

SYNCHRONIZATION AND CONTROL
Sync socket(s): 1
Wire sync voltage:Compliant to ISO 10330 standard
Wire sync connector: 3.5mm Mini-Phono
Photocell/IR-slave and switch: Yes
Radio sync & control: Yes, built in Air TTL supporting wireless sync, control and TTL. (Requires Air Remote TTL. Sold separately.)
Radio sync range: Up to 300m (1000ft)
MAC/PC control: Yes, via optional Profoto Air USB transceiver and Profoto Studio software

MISCELLANEOUS
Function display: Multifunction LCD display
Fan cooling: Yes, thermally controlled fan speed for low noise level
Ready signaling: Yes, ready lamp, dim and/or switchable beep sound
Auto dumping: Yes
USB interface: Yes, USB Mini port for FW upgrading
Quick burst: Quick burst capability of up to 20 flashes per second

New at SYNC: OctaPlus 3 and OctaPlus 57 Hi Heat Lightbanks

Posted on February 17, 2014 by T.J. Crume Posted in 3. From the Grip Room

Everyone loves using Chimera’s OctaPlus Lightbanks—especially the patented OctaPlus 57! It’s an amazing 7 ft. octagonally-shaped Lightbank that converts to a 5 ft. version!

It’s like getting two Lightbanks in one!

OctaPlus 57 Lightbanks have soft silver interiors, which create a highly efficient and even light spread with rounded highlights. The New Hi Heat versions are available for continuous lights and higher temperatures and they are compatible with continuous source lights up to 3,200 watts.

SYNC also has the 3 ft. OctaPlus OctaPlus which is compatible with continuous source lights up to 1,200 watts. If you need more directional control with your OctaPlus Lightbank, take advantage of SYNC’s Chimera Accessories like Fabric Grids!

SYNC also has the CHIMERA model #3770 speedring stand adapter so that the weight is not supported by the lighting instrument. Very savvy, indeed.

NEW at SYNC: Kino Flo Diva Lite 401

Posted on November 15, 2013 by T.J. Crume Posted in 3. From the Grip Room

This Kino Flo Diva Lite 401 is especially designed for digital video capture. The Diva-Lite 401 boasts Kino Flo’s True Match fluorescent tubes complete with both 3200ºK and 5500ºK fixtures and 100 – 0% dimming with minimal color shift and super-low electrical draw.

Ideal for Location Work

Lightweight for ENG, EFP and documentary style field work

Slim profile ideal for shooting in small offices, hallways, or cramped quarters

Efficient

Low amperage draw

On location, lamps get to full color temperature in three minutes

When finished, no need for cool down period

The (optional) lamps can stay in the fixture for quick transport

Dimmable

Built-in Dimming Ballast

Additional dimming switches

Remote dimmer capability

Light Control

Built-in Barndoors

Silver Louver

Optional floziers provide more softening

Honeycomb louvers (sold separately) 90°, 60°, and 45° give more light control

Ball and Socket Mount

Center Mount has a ball and socket design with a lock down handle

At the other end of the Center Mount is a baby receiver (16mm) that can go directly onto a light stand

Note:All fluorescent tubes require 100 hours run-time to reach optimum color output

From The Grip Room: Carl Zeiss Prime Manual Focus ZE Lenses for Canon!

Posted on October 24, 2013 by T.J. Crume Posted in 3. From the Grip Room

SYNC is proud to offer a series of Carl Zeiss ZE T* manual focus lenses available now in our rental department. From the 18mm f/3.5 Distagon to the 135mm f/1.4 Apo Sonnar, this series of compact, razor sharp lenses will be sure to amaze!

Fully compatible with Canon EOS cameras with both audible and visual focus confirmation as well as full use of AV, TV and Program modes.

Nowadays, almost all manufacturers only offer AF interchangeable lenses. Anyone who has used an AF lens knows that sometimes the auto focus, although fast, can be inaccurate. This slight defocusing can have a major impact on the overall quality of the image. Learn more about the advantages of manual focusing here.

The current series of Carl Zeiss SLR ZE lenses incorporates the expertise acquired from our professional cine lenses. With optimal color consistency and large rotation angles for extremely accurate focusing and none of the constraints caused by the need to turn a focus motor, these lenses achieve a level of focusing accuracy that is far superior to any conventional AF lenses.

Thanks to the popular range of lens mounts comprising the ZE (Canon EF bayonet mount), the lenses can be directly employed on suitable cameras at high levels of functionality without requiring an adapter. Some of the benefits of Carl Zeiss Optics below are:

T* Anti-Reflective CoatingLarge Rotation Angles, great for cinematic applications

9 Blade Circular Aperture for beautiful bokeh in out-of-focus areas

Optimum reflection absorption for brilliant pictures even under difficult lighting conditions

Optimal color correction for consistency along the entire range of lenses and for extremely contrasting edges without color fringes

Optimized with higher-performing and eco-friendly glassIncorporates a floating lens element design to optimize image quality across the entire focusing range

New at SYNC: EIZO ColorEdge CG246!

Posted on August 15, 2013 by T.J. Crume Posted in 3. From the Grip Room

SYNC is very pleased to add the EIZO ColorEdge CG246 to our Digital Department! It’s a self-calibrating 24″ display with plenty of bells and whistles. Here are just a few:

Built-In SelfCalibration Sensor

Automate your calibration with the built-in SelfCalibration sensor that is housed within the monitor’s bottom bezel and swings up onto the screen only when calibrating. This sensor eliminates the need for a third-party calibration device and even operates in portrait mode.

Correlation with External Sensors

The monitor can be correlated to the measurement results of an external calibration sensor. After correlating, the built-in sensor will automatically recalibrate to the settings. This is convenient if the monitor is used in a work environment with other monitors and one measurement device must be used as a standard for all calibration.

Reproduces Almost the Entire Adobe RGB Color Space

A wide color gamut reproduces 97% of the Adobe RGB color space so images shot in RAW can be converted to Adobe RGB or images shot in Adobe RGB will be displayed correctly. The colors seen in photos of vibrant blue skies and lush green forests will be reproduced faithfully in a way that cannot be on monitors with an sRGB color space. The wide color gamut also ensures that the monitor reproduces almost the entire ISO-coated and US web-coated CMYK color spaces used in printing.

10-Bit Simultaneous Display

Using the DisplayPort input, the monitor offers 10-bit simultaneous color display* from a 16-bit look-up table which means it can show more than one billion colors simultaneously. This is 64 times as many colors as you get with 8-bit display which results in even smoother color gradations and reduced Delta-E between two adjacent colors.
*A graphics board and software which support 10-bit output are also necessary for 10-bit display.

Multiple Inputs

DisplayPort, HDMI, and DVI-D inputs are included for connecting to various types of graphics boards, The HDMI input also offers direct connection with digital cameras. Two USB upstream ports allow two computers to be connected at once so it’s not necessary to reconnect the USB cable when using the ColorNavigator software and switching between the two computers.

Smooth Display of Video

For video editing or post production work, an overdrive circuit is included to reduce gray-to-gray response time to 7.7 ms and ensure that moving images look clean and sharp with a minimum of ghosting.

Shading Hood for Portrait and Landscape Modes

Most shading hoods can only be used in landscape mode, but this monitor comes bundled with a unique hood that is designed for portrait mode as well. Now you can keep the glare off your screen no matter which mode you work in.